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collective delirium part ii
Alexandre Ouairy solo exhibition
upcoming • brussels
The Stroke of a Pen
another trilogy
Zane Mellupe solo exhibition
recovered        恢复
collective delirium part i
Alexandre Ouairy solo exhibition
brilliant city...
Christophe Demaître solo exhibition
diluted shadows
Dai Guangyu solo exhibition
around your face
Li Rui solo exhibition
error/logic • Xu Zhe & Xu Cheng
uncovered china
team of the blind
Wu Junyong solo show
drawing and what
my country
bring the dogs out
euthanasia part 2 - bulldozer exhibition
performance by Sergey Balovin
red land, yellow stars
@ Galerie Libre Cours (Brussels)
closet (6 solos)
something in common
trace, line, shadow
there is no innocence, only different levels of responsibility
Christin Kalweit solo show
what is the name? solution?
Roland Darjes solo show (ifa-YK)
different species
Robert Lee Davis solo show (ifa-YK)
right eye - left leg
Je suis Chinois. Et toi ?
@ Galerie Nathalie Gas & Bernard Guillon (Paris)
in memory of the perfect wife
Zane Mellupe personal exhibition
the hell. the heaven.
on the way. in between.
15 days without You
Bangbang & Blackandwhite
the house (ifa²gallery)
Azure Dragon, Vermilion Bird, Yellow Dragon, White Tiger, Black Tortoise
a poem from the earth (ifa²gallery)
the end of the rainbow
Wu Junyong solo exhibition
Zhao Qian Sun Li
Fan Jiupeng solo show (ifa²gallery)
police and her
Dai Guangyu solo show (ifa²gallery)
the history of etiquette
Liu Bolin solo show (ifa²gallery)
carte blanche - winter exhibition
beneath my skin
Vietnamese art insight
@ URBN hotel
elevation / integration
a snapshot of contemporary vietnamese art
portraits of china
ink games
Dai Guangyu solo exhibition
urban lust
some space for humanity
Gao Brothers solo exhibition
everything is not quite right
Liu Bolin solo exhibition
beyond the city
Zhang Kai
solo exhibition
art fairs
different species
Robert Lee Davis solo exhibition

press release

26 november - 31 december 2011
vernissage: saturday 26 november 2011, 5-9pm

an exhibition curated by Zane Mellupe
with the kind collaboration of YK art [Shanghai]

The new version
The use of collage

My work is inspired by articles and / or images found in newspapers, magazines and old journals.  I use collage as a way of infusing contemporary elements into my work.  This word, phrase or picture then becomes the framework of the piece. Finding the right images to make the work appear as a single unit can be tedious and challenging, however I believe this process gives the artwork texture, depth and a familiar historical perspective by which the viewer navigates and understands the piece.

Ships, seas and situations

Water has been on the mind of many. The floods in Thailand, Angola and Bangladesh, Pirates in Somalia, Tsunami in Asia, oil rigs explosions, ocean liners in Venice & the running aground & breaking apart of a container ship off New Zealand. We have witnessed waters majesty and power. The sea, although calming and still, is often menacing and destructive.

Sea journeys, ocean voyages, and water. Throughout history, ships have transported slaves, goods, people, war and hope. An ocean liner or sailing ship may conjure up memories of vacations, romantic journeys or connections with separated loved ones.

These mixed medium paintings on paper respond to and reflect the seas ability to hold us. Each piece incorporates photos from newspapers, magazines and journals. The use of photo collage plays a significant role in shaping the images of our past. I use photo collage to manipulate this view and challenge our images of the sea.  My work aims to draw the viewer into a space for thought and reflection.



I was conversing in a Venice cafe, enjoying the sights of the beautiful canal when I was startled by a tremendous sound from a ships horn. I turned and was surprised, shocked & silenced by a huge seven story tourist ocean liner manoeuvring down the narrow passage.  I thought how ridiculous and tragic.
At the time, I was listening to the music of the Estonian composer Arvo Pärt. To symbolize the cadence of his deeply moving "Für Arlina," each brushstroke was created using my left hand to deliberately slow my pace.
I have placed the vessel in the vastness of the sea as a way of giving a big picture perspective; a way of slowing down the pace of man's progress to dominant the sea. 

This was the first in the Ship Series


Final Destination

In this work, I have fused together several sea situations: the BP oil spill merges with fishing rights in China-Japan's disputed waters; a ferry mishap in Zanzibar pulls against certain demise. Although each event occurred at various moments in 2011, in the history of the sea,  the merging of the three is just a blip, a brief interruption in the chronology of water.
Yet, acts, ideas, or events can and will shape the course of the future and our final destination


Pirate Ship

" ...some will go after any boat -- yacht, a cruise liner or a barge -- hoping to find some good loot...
...some will hijack ships simply for the cargo ...others will attack a boat to kidnap the crew in the hopes of a hefty ransom"
-- From a CNN article entitled "Modern Day Pirates"

When I read about the incidents of pirates taking down cargo vessels, I couldn't help but wonder what modern day pirates looked like. The image of pirates manned with AK 47's, rockets and torpedo launchers differed slightly from my romantic view of the misunderstood, swashbuckler painted in movies.  A sombre reminder that truth is not necessarily better than fiction.


SAR (Sea, Air, Rescue)

Also known as ARS is the coordinated rescue and search of the survivors of water emergencies.  It includes seaplane(s), helicopter(s), submarine or rescue boats or ships. The idea for this painting came from viewing the rescue efforts for the Japan Tsunami.
As the events unfolded, the scale of the operation seemed small in comparison to the magnitude of the problem. Yet, the image also invoked a sense of hope and deep empathy. The terror of the sea softened by the site of an elderly person or household pet lifted to safety.


Averting Disaster

Territorial Waters, according to the UN, is a belt of coastal waters extending at most 12 nautical miles (22 km; 14 mi) from the baseline of a coastal state. The territorial sea is regarded as the sovereign territory of the state, although foreign ships (both military and civilian) are allowed innocent passage through it; this sovereignty also extends to airspace over and seabed below.
The nautical miles are set up to avert disaster.
The unfolding events over the Senkaku/Diaoyutai islands seemed headed for certain disaster.  In this piece I have turned the big three military players into mermaids to mythically rectify the situation.


Ice Breaker

This work was inspired by an article in which nuclear energy was used to fuel a ship created for breaking through ice. "Breaking the ice is also a way of diffusing tension in conversation.
On a personal level, this piece marked a breaking away from my old job and ideas of security to embrace the changes ahead.



Also known as "Mermaid Syndrome," is a rare congenial deformity in which the legs are fused together giving the appearance of a mermaids tail.
As of 2011, the People's Republic of China has China has 14 nuclear power reactors, spread out over four separate sites and 27 under construction.  China has also earned the right as the number one buyer of luxury liners in the world.  I have fused together luxury and nuclear power to symbolize the fast rise of luxury brands in Asia.


Gathering flood

The flood is gathering
Soon it will move
Across every shoreline
Against every roof
The body will drain
And the soul will shake loose
I write all this down
But I don't have the proof
-- Leonard Cohen from The Book of Longing

What is a flood?
The volume of water within a body of water; The overflow of an expanse of water that submerges land

Why do humans continue to inhabit areas threatened by flood damage? Could it be that the perceived value of living near the water exceeds the cost of repeated periodic flooding? And why is it mostly the poor who are affected?
Taking the poem of Leonard Cohen as inspiration, I have merged images of flood victims from newspapers, creating an unending historical chain of man's interaction with water


The vast grey ocean of wind

"...so I looked away and waited until you became the vast grey ocean of wind or the vast grey ocean of mind"
-- Leonard Cohen

I was listening to the poetry of Leonard Cohen when I came across the image of these three makeshift rafts, victims of the latest in a slew of worldwide flood related disasters.  I wanted to juxtapose them against the vastness of the sea. The ocean liner in the background is neither rescuer or antagonist, rather absent observer

"The world feels strange now, even the way clouds move isn't right,"
These words from a Tsunami flood victim, were embedded into the piece months later as a suggestion from a friend who mentioned that the work needed narrative.  She was right of course.


Crossing Waters

The law of the sea states that fishermen should abide by territorial boundaries when fishing to avoid stealing for livelihood.

This law, set in place to curb large scale commercial fishing, has had adverse effects on local fishermen who have used the waters for centuries as means to support their families and make a modest means.

I wanted to compare the futility of man law to moving a beached whale. We can try to cover it, but in the long run we cannot do anything to stop it

Robert Lee Davis, artist ● 12 november 2011